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Bachelor Apartment in Sao Paolo
This modern apartment in Sao Paulo, Brazil was designed by Carol Leaes for an owner whose requirements were quite simple: he wanted one bedroom, a living area with open kitchen and some comfortable spaces where to “enjoy the simple pleasures of life”. As a reference, the owner mentioned Philippe Starck’s Faena Hotel in Buenos Aires.
To complete this project, Leaes had to work for approximately a year and a half, as only the search for the perfect property lasted four months. The designer had envisioned something great for her client and she had to make sure the apartment would offer a proper layout for the plan. She and her client finally decided to buy this particular apartment for two reasons: it had a free floor plan and it boasted unobstructed views of the only green space around Paulista Ave, the Trianon park. We love the final results!
Hollywood Hills
LOCATION: Los Angeles, CA
PRICE: $2,499,000
SIZE: 2,890 square feet, 3 bedrooms, 2.5 bathrooms
Current online marketing materials show the two-story house—all T, no shade, hunties, it ain’t no great shakes in the architecture department—was originally built in 1955 and has three bedroom and 2.5 bathrooms in a modest but hardly minuscule 2,890 square feet of thoroughly and arguably thoughtfully updated and upgraded interiors.**
A blacked out, celebrity-style gate on winding street near the top of Runyon Canyon swings open by remote control to reveal a brick-lined concrete driveway that dips down to a compact motor court/parking pad and a visually aggressive, front-facing two car garage. Wedged into the slim space between the house and the up sloping hillside, a brick courtyard surmounted by a bougainvillea climbing trellis leads back to the front entry.
Inside a small entry area leads into a J-shaped open-plan main living space that hinges around a white painted brick fireplace with modern-minded wood storage capability. Milk chocolate-toned hardwood floors run throughout the various nooks and crannies of the somewhat meandering, urban loft-style space that includes an itty-bitty «formal» seating area with vaulted ceiling in front of the aforementioned fireplace. Tucked off to the side in a nest-y nook with a lower and flat ceiling, there’s a boob-toob viewing lounge where somebody managed to successfully use a butter yellow and crimson floral wall paper on the back wall.
Beyond the fireplace an airy dining area was done up in such a fashion that works for easy breezy breakfasts and more dressed up dinners. A glimmery antique crystal chandelier hangs above an all-black, Chinoiserie-style dining room set with leopard print cushions. (In case anyone cares—and we can’t imagine why they would—we find the chandelier a smart if perhaps a bit too petite choice for the room but we can not get enough of that deliciously high-camp dining room set. It might only be better in all the worst ways if it was done in Chinese red lacquer.)
The dining room opens on one end through windows and single pane French doors to the backyard entertainment and recreation areas and on the other end over a two-seat snack peninsula to a just about all white kitchen with two farmhouse sinks, some sort of expensive looking buff-toned counter top material, and a full suite of top-quality stainless steel appliances.
The galley style kitchen has a steeply pitched ceiling and a long greenhouse-type window that gives the otherwise fairly skinny (if well outfitted) galley kitchen some much needed head room. Everybody knowns that Rule #53 Your Mama’s Big Book of Decoratin’ Dos and Don’ts emphatically states that greenhouse windows in kitchens (or any other rooms) are strictly verboten as they far too often get cluttered with collections of silly things people ought not collect like, say, figurines of sleeping cats. (Believe it or not, children, there are people who actually collect sleeping cat figurines and we can’t help but cynically pity the poor souls for their efforts to surround themselves with—ugh—cuteness.) However, Your Mama recognizes that there can always be an exception or two to any rule and, in this case, we utterly j’adore the greenhouse window the sucks up natural light like a vacuum on crack in what could easily be a very dark kitchen.
One of the two main floor guest/family bedrooms appears in listing photos to have been dressed and used by Miz Bosworth as a small den/office with built-in display shelves (that display an eclectic and global collection of books and other this and thats). The other, larger bedroom has two sets of multi-paned French doors, one set opens to a narrow, bamboo shaded side yard where somebody was clever enough to sneak in a lap lane swimming pool into what was surely, previously, a under-utilized sliver of the sylvan .54 acre property. The bedrooms share a travertine- (or maybe limestone-) lined hall bathroom that’s big and well-equipped enough it could easily be mistaken for the master bathroom of a comfortably appointed home. Once again, some clever person punched a (single pane) glass door through the bathroom wall for lap pool access. That way, of course, the lap swimmer need not traipse soaking through the whole damn house should they need to stop for a mid-swim visit to the facility. Anways…
The upper floor is given entirely to a wood-floored and sky-lit master bedroom with a small seating area between the bed and side-lit multi-pane French doors that open to a private terrace nestled into the surrounding tree tops. There are two walk-in closets—both, we have to imagine, custom kitted to the exact specifications and sartorial storage needs of stylish Miz Bosworth—and an all-white bathroom with Carrara marble topped double vanity, white-tiled steam shower with convenient built-in seating bench, an all white tile jetted bathroom, lots of high windows, and a semi-private cubby for the crapper.
In addition to the entry courtyard and the side yard with the lap lane swimming pool a continuous series of decks and bricked terraces run along the full length of the back of the house. Single-pane French doors in the t.v. lounge open to a deck with portable kiva fireplace and a couple of canvas slung butterfly chairs ottomans. Two more sets of single-pane French doors in the «formal» living area and dining area connect to a larger, red brick terrace, ringed by a short, well-clipped hedge and shaded by very mature eucalyptus trees. The canyon views aren’t the sort that some might call jet liner or panty dropping but the views over the canyons and mountains are certainly appealing, especially given that it’s only about 10 minutes down the brutally twisting canyons roads to the bustling heart of Hollywood.
Tavonatti House
Tavonatti House is located in Cachagua, Zapallar, Valparaíso Region, Chile.
Tavonatti House by PAR Arquitectos:
“The commission was to develop a house under the standards of the real estate business, a basic and optimized program complemented by a strategy of exterior terraces and main rooms open to the panoramic view.
In response to a sunken site with a gentle slope, with glimpses of ocean views, the program aims to raise the programmatic piano nobile of the house, from the perpendicular overlap of 2 volumes of simple lines that make up a new dimension. The first, in elevation, in the direction of the views of the bay, which makes up the access and contains the public spaces.
The second, as a cross pavilion at natural ground level, which connects the private plane through a glazed gallery.
Transparency is worked integrally with furnishings on site, which filter light, give the required privacy, and activate different spaces as required by users.
The house is closed, sheltered at the public access area, unfolding and opening to the views.
To the southwest, we propose an exterior corridor as a traditional strategy to control radiation, generating a permeable facade that adequately links the interior with the garden.
Public and service indoor floors are black slate stone, 60×60 cms (24×24 in), and private floors are 8mm (0.314in) Eterwood. Exterior floors are pine wood deck, 2″x3″. The ceiling is made of pine wood paneling 1″x3″, anchored to the joists, forming a rigid diaphragm with the ceiling OSB boards and plywood boards of the mezzanine.
All the walls between rooms are partitions with a double row of galvanized steel studs, covered with 15mm (0.60in) OSB boards and 15mm (0.60in) plasterboards.”
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